NEWS
Inside Mexico's bootleg market
By Reed Johnson, Times Staff Writer
MEXICO CITY — May 10, 2006 - Like any good
businessman, Ricardo Jímenez stands behind what he sells. That's one
reason he and thousands of Mexicans like him are giving Hollywood
fits.
A few days ago, the 26-year-old vendor was hawking pirated DVDs at his
usual spot, just outside the entrance to the Pińo Suarez subway
station near this frenetic capital's historic center. His wares were
piled helter-skelter on a long, umbrella-shaded table, everything from
the kid-friendly "La Era de Hielo 2" ("Ice Age 2") to the adults-only
porn epic "Cleopatra III." crude, hand-lettered sign assured
cinéastes that the bootleg DVDs were "Calidades Reconocidas," or
"high quality," an assertion that Jímenez takes pride in. While
passersby browsed the illegal merchandise, he tested copies for his
customers on a battered TV propped up on some plastic Coca-Cola
crates. Despite an occasional run-in with the police, Jímenez said he
mostly operated with impunity in a neighborhood so crowded with pirate
vendors' stalls that it's impossible to walk down some streets more
than two abreast.
Unlike middle-class U.S. consumers, said Jímenez, poor people in
Mexico can't afford to go to the movies, or even buy or rent authentic
videos or DVDs. The typical cost of a movie ticket is 50 pesos (about
$5), and more than half of Mexico's workers earn less than $13 a day.
But even poor Mexicans can afford to spend 10 pesos on one of his
bootlegged copies. "The two countries aren't equal," Jímenez said.
Jímenez's sales shtick won't shock anyone familiar with this country's
booming black market for pirated CDs, video games, designer couture,
perfumes, electronics and practically anything else you could name.
But operations like his apparently caused some surprise north of the
border last week, when the Motion Picture Assn. of America, the trade
group that represents the seven largest U.S. movie studios, released a
comprehensive new study of global motion picture piracy, billed as the
first of its kind.
One of the report's revelations was that the leading foreign market
for pirated U.S. movies isn't China or Russia — the usual suspects —
but America's neighbor to the south. According to the report, sales of
pirated movies in Mexico accounted for an estimated $483 million in
lost revenues to Hollywood in 2005. Britain was second among foreign
countries, with $406 million in losses, followed by France ($322
million) and Russia ($266 million).
Every day, thousands of bootlegged and pirated DVD titles are sold
here in broad daylight at scores of makeshift wooden stalls lashed
together with rope. Many of them sit only a few blocks from the
mayor's office and the building where the national legislature meets
to decide the law of the land. Not infrequently, illegal copies of
highly anticipated movies that already have opened in foreign markets,
such as "The Passion of the Christ," will hit the streets here days or
even weeks before their Mexican theatrical release.
Instead of the familiar black plastic boxes, many pirated DVDs come
packed in flimsy paper covers, hand-sealed in see-through plastic
wrappers. Cover art tends to be erratic too. A casual survey of pirate
stalls last week indicated that "Bajos Instintos 2" ("Basic Instinct
2") was a big mover, but some copies sported a makeshift photo of a
skinny blond who was not the movie's femme fatale star, Sharon Stone.
News of the MPAA report has been received with mixed sentiments in
Mexico, reflecting some of the country's complex attitudes in dealing
with its NAFTA partner. Julio Martínez, 30, owner of 4-year-old
Videodromo, which rents movies in the trendy Condesa neighborhood,
wasn't surprised by the new findings.
"It's a big problem," he said. "We don't know if our customers are
pirating DVDs or not. We don't have any control."
According to the report, major Hollywood studios' losses to piracy in
2005 totaled $6.1 billion, much more than previously estimated, with
$1.3 billion of that occurring in the United States and the rest
internationally.
The MPAA said the new study was based on consumer demand as opposed to
previous assessments, which calculated losses based on pirated DVDs
and videos seized by legal authorities. The new study contained not
only estimates of losses from piracy of hard goods, but also losses
from Internet piracy.
The study was conducted in 22 countries over 18 months by LEK
Consulting, a high-powered advisory firm with offices around the
world.
"We are calling on governments internationally to continue to work
with us in limiting the impact of piracy on local economies and the
film industry," Dan Glickman, the MPAA's chairman and chief executive,
said in a prepared statement. "Movies are a valuable product and
intellectual property must be respected."
The MPAA has its work cut out for it here. Even some in the Mexican
film industry argue that poor Mexicans can't be expected to hew to the
same standards on intellectual property as middle-class Americans,
given the vast economic disparity between the two societies. "There's
not an awareness in the people that they're committing a crime" when
they buy pirated movies, said Horacio Rivera Rangel, co-director of
the forthcoming comic feature "Los Pajarracos." "It's something
routine."
As a filmmaker, Rivera said, he'd obviously prefer that people buy
tickets and see his films in a theater. But he believes that his
movies can gain wider distribution and word of mouth through piracy,
which may spur others to see them in a legitimate venue.
Partly because of the pressure exerted by the MPAA and the U.S.
government, Mexican authorities have conducted several high-profile
raids against pirate movie manufacturers and laboratories in a number
of cities.
And the Cámara Nacional de la Industria Cinematográfica, a trade group
that promotes the film industry, has mounted a propaganda campaign
against movie piracy, including commercials in which a father brags to
his son that he has been so ingenious as to procure a coveted movie on
the cheap — only to have the son reply that he, too, has cleverly
procured a copy of his classmate's homework. "What are you teaching
your children?" the ads intone.
But enforcing anti-piracy laws is difficult and expensive, says Víctor
Ugalde, executive secretary of a group that promotes investment in
Mexican film production. Ugalde disputed the idea that Mexican
consumers of pirated and bootlegged movies don't know they're doing
something wrong. But he suggested that if the Hollywood studios want
to reduce piracy they should lower the cost of movie tickets and DVDs
in countries that have large numbers of poor people.
"There is an option if North American [U.S.] companies lower their
profit margin, which is very high," Ugalde said. This would result in
increased sales, allowing the Hollywood studios to "gain the same, or
more."
Unthinkable as that might sound to the heads of Time Warner Inc. or
the Walt Disney Co., it might be easier than trying to shut down the
vast and notorious Tepito market on the north side of the capital, a
virtual mecca of hot merchandise that is run by organized crime
networks and is so dangerous that many police refuse to enter there.
In Tepito you can get anything you want, from obscure Fassbinder films
to Oscar screening copies of "Brokeback Mountain" and "Capote," said
Julio Martínez, the video store owner. Although such pirate operators
hurt his business, Martínez understands that they may be here to stay.
"Tepito exists because of the necessity of the people," he said.
But let the Mexican bootleg buyer beware. Last week, at least one
vendor here was hawking supposed copies of "The Da Vinci Code," the
much anticipated adaptation of the Dan Brown novel, which won't be
released until next week. The DVD turned out to be not the Tom Hanks
movie, but a documentary about Leonardo da Vinci.
Los Angeles Times article at: http://email.latimes.com/cgi-bin1/DM/y/e2dW0H42FW0G2B0HWYO0EX
(In accordance with Title 17 U.S.C. Section 107, this material is distributed by HispanicVista.com (www.hispanicvista.com) without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.)